In which . . . er . . .

 

I know I need to get on with Question Three.  But I want to tell you about the opera last night*, or bell ringing today**, or about what’s happening in the garden*** . . .

. . . And I’ve run out of post-space again.  I’m about to break 2000 words. Which is not allowed.&

Um.  I really am going to answer questions three and four.  Really I am.  Just not tonight.  Um.  Not tonight either.

* * *

* which I enjoyed, which was both pleasing in itself^ and was a tremendous relief after being hammered mercilessly, with infrequent and inadequate breaks to listen to Anna Netrebko sing, by Macbeth a week ago.  This one was Luisa Miller, another early-ish Verdi, although not that early, he was about roll into his Rigoletto-Trovatore-Traviata run.  It’s funny about Luisa, maybe it’s only because I don’t know it very well—it’s not one of the famous ones—but it feels earlier than it is.  It sounds like Verdi, but it doesn’t sound any more like Verdi than, say, Macbeth does, which is earlier still, and Luisa is closer in years to the R-T-T explosion of amazingness, after which there’s pretty much no holding him and it’s one flamingingly breathtaking thing after another.

The three or five, depending on how you’re counting, lead singers were all terrific, although the fact that the evil Count looked like a slightly distressed schoolmaster to whom one should offer a cup of tea and a sit-down, and was totally outevilled by his henchperson who was definitely evil, was a little distracting.  And for those of us who grew up with Placido Domingo it’s fascinating watching him morph into . . . whatever this decade’s persona is, which happens to be playing the baritone dads in the same operas he played the tenor true-loves in a while ago.  The man is a phenomenon.  Also, he can sing.  I grant you his baritone hasn’t the tingle-making sweetness of his young tenor, but he’s not a pity vote either, and the dad roles he’s doing now are often the better for a little roughness.  He’s playing the detestable dad in La Trav next year and yes, I’m going.^^

I could of course do some carping.  Let’s start with the libretto.  AAAAAAAAAAAAAAUGH.  I don’t know if, again, it’s because I don’t know this one that well, whether it’s the surely unnecessary clunkiness of the subtitle translation, or whether it really is more ridiculous than usual BUT IT’S PRETTY RIDICULOUS.  I mean, it’s very ridiculous. ^^^  And while the production was the nice old-fashioned kind where what is going on more or less matches what the subtitles tell you is going on^^^^ and it’s well enough lit that you can see what’s going on . . . if that’s the Millers’ sitting room, why does it look like a PUB?  And if Luisa is the village schoolteacher, why do the posters of the alphabet on the wall stop with W?^^^^^  And—no spoilers here or anything—why is she wearing her nightgown to kill herself in?  And, furthermore, wearing it in her front room with ALL the villagers present who might conceivably wonder why she’s invited them all over to hang out while she’s in her nightgown?^^^^^^

Oh, and she doesn’t kill herself.  That would be so obvious.  No, someone else does it for her.  Which is also pretty obvious.  But it can’t end well.  That would be unthinkable.   But she and her true love have been clutching their dire secrets to their breasts for so long there is a slight feeling from certain audience members of ALL RIGHT ALREADY.  GET IT OVER WITH, WILL YOU?

^ Especially at the PRICE.  Good grief.  You could get cheap seats in the Met theatre itself for less than it now costs to slouch in the cinema several thousand miles away and watch the singers make horrible faces in close up.

^^ One of these posts I’m going to do a rant about the unspeakableness of the local cinema’s web site.  A RANT.  A RAAAAAAAAAAAAANT.

^^^ STOPPING NOW.  I DON’T HAVE TIME.  But, you know, I could do it so much better.+  I’m fine with melodrama!  I love melodrama!  I just like melodrama when people act like they’re seized by emotions beyond their control, not that they’re jellyfish from Alpha Centauri dressed up in human suits and have all lost their handbooks++ on human behaviour!

+ I have the same feeling about a lot of the Book of Revelation.  Alfrick has got me started on Universalis which gives you not merely daily readings but an assortment of daily readings# because I was complaining## about my haphazard prayer-and-Bible-reading habits.  I sometimes think that coping with Universalis is the 21st-century version of the sackcloth and self-flagellation . . . but I digress.  The other day we had the bit where the critters with all the eyes praise God ceaselessly, and every time they do, the elders prostrate themselves and hurl their crowns at his feet.  Um.  Okay, and then what?  Does an angel come by with a broom and sweep this lot of crowns into the Endless Fire, in which case where do the next lot of crowns come from and how quickly, if the critters with the eyes are praising God ceaselessly?  And if it’s ceaseless, how do the elders know when to interrupt by the prostration and the crown-hurling?  Or maybe, in the interests of beneficial heavenly ecology, they reuse the crowns.  I think it sounds undignified for a lot of elders to go scrabbling around on the floor, groping for crowns.###  Will any crown do for any elder?  Do they all have the same size head?  Do they play nicely together?  Or maybe there are aisles, like for bowling balls, and the crowns slide down the aisles and then pop up again where the elders are now picking themselves up for the next round of prostrations.

I could do it better.

# Supposing you can frelling manage the frelling web site.  Frelling.

## Never complain to your spiritual advisor.  Spiritual advisors are trained by ninja angels to drop you in your tracks the moment you show weakness, fingerprint you with holy oil and rope you up in rosaries.  And web site addresses.

++ or possibly tentaclebooks

### Also they’re dressed in white.  I hope the housekeeping staff is vigilant.

^^^^ I think it’s supposed to be contemporary, so mid-1800s.  It has that historical costume drama look to it anyway.

^^^^^ Unless there’s something about the Italian alphabet I don’t know.

^^^^^^ Also, her best friend offers her some food, telling her she has to keep her strength up.  Which she pushes away.  Which is not the least surprising since the bowl looks like it’s full of very, very, very overdone roast potatoes.  Production really has to remember about close-up camera shots.

** I told you I’d been nailed by Felicity to ring at an invocation this afternoon.  I had vaguely registered that Wild Robert was going to be leading the occasion, but I hadn’t really focussed on this fact, which was foolish of me.  I told you, I’m kind of out or practise.  So rather than doing call changes and maybe a plain course or two of something easy, which is the usual Crabbiton drill for events, Wild Robert lashed us through twenty minutes of frelling Grandsire with a frelling call nearly every lead—which isn’t going to sound like a lot to any even half-experienced bell ringer out there, but when it’s a ground floor ring and a frelling packed out assemblage of the great and good and you’re out of practise and it’s too hot—because spring is here for forty-eight hours and the central heating [sic] was still on—AND THERE’S A FRELLING CALL NEARLY EVERY FRELLING LEAD, twenty minutes is a very long time.  And then we’d barely stood our bells when we were off again . . . to ring April Day, frelling spare me, which we’d only rung for the first time this Thursday.  Now anyone who doesn’t know April Day will be rightly aghast at ringing a brand-new method at an event—at least a brand-new method with a band that contains me—but anyone who knows about April Day, which is to say April Fool’s Day, will say, oh, piffle, it’s just bob doubles with Grandsire singles.  DO YOU HAVE ANY IDEA WHAT IT MEANS TO YOUR MELTING BRAIN WHEN YOU’RE RINGING ONE METHOD—even if it is the first and easiest method that anyone ever learns—AND ARE TRYING TO RING THE CALLS TO ANOTHER METHOD, even if it is probably the second method anyone ever learns, AND STILL FIGURE OUT WHERE YOU NOW FRELLING ARE IN THE METHOD THAT YOU’VE JUST EMERGED FROM THE WRONG CALL BACK INTO????

I could barely drive home.  I did not sing at St Margaret’s tonight, as I was supposed to.

*** Yesterday we had a GLORIOUS WARM SUNNY DAY.  No, really.  The first one since . . . August, I think.  Maybe July.  And I had to stop early to go to the frelling opera.^   Today after ringing, and after I’d finished fanning myself, moaning, and drinking strong green tea, I tottered out into the garden, where it is still warm but is now raining, because it would be bad for our characters to have two sunny days in a row, to transfer a few more tiny baby plants into trays and pots and . . . I think it was three days ago I was reaching for another baby-plant tray and there was a sudden EXPLOSION of feathers, and a blasted robin was rocketing around the little greenhouse doing that awful panicked-bird thing of banging herself on the glass.  I hunkered down on the (dirt) floor till she figured it out and flew away and . . . arrrrrgh.  Ever since the [seven foot, brick and flint] wall fell down [sic] for which the resident robins seemed not to have forgiven me, I’ve wistfully kept a couple of previously-favoured nest-gaps clear, which in my greenhouse is heroic, which, furthermore, are on the house-wall side, not the falling-down-garden-wall side.  This, however, is apparently the new generation, and they’re not going to use some dreary old shelf their parents have used, they’re going to create a ramshackle even by robin standards nest on top of the tin that holds green wire and dibbers.  Which is about as unsafe as you can easily imagine, unless I stood there holding a pole with a plate spinning on top of it and they put their nest on that.  So I looked in horror at the tiny naked red baby robin flopping feebly in the mess mum had left behind, shoved the whole catastrophic jumble back behind the fence of green wire—it’s early in the season, I’m not really green wiring a lot at the moment, I can go buy some more—and thought, well, I’d been here over an hour before she took exception to my reaching for a tray on the wrong stack, maybe she’ll be back.

Next day.  She was back.  I saw her just long enough for her to jump up and flee again.  Sigh.  How much time can mum spend off the nest at this stage and the babies survive?  Not long.

Today . . . she was back.  And I’ve figured something out.  Who knew?  She’s okay with me there.  But when I look up and see her, that’s when she freaks out.  If I’ve killed this brood of baby robins I’m very sorry, but why does she recognise my face and my eyes?!?  Cross species communication, let’s not.  Now I’m going to have to crouch and hang my head through the frelling greenhouse for ten days or so till I either hear frenzied FEED ME!  FEED ME! chirping, or . . . I don’t.

^ Because I’d been gardening up till nearly the very last minute, when I got home at about 10 pm I took Chaos for his hurtle then.  We were nearly to Ditherington and he was like, oh, why are we turning back already?  Um, because it’s dark?  And this is a small enough town that you run out of streetlights long before you run out of inclination to hurtle.  So I got out my (pocket, electric) torch and we had quite a good hurtle after all.  I didn’t even fall down.

& And I have broken 2000 words.  Sigh.

13 thoughts on “In which . . . er . . .”

  1. Least you can RING a touch of Grandsires – I am still trying to sort out those dratted double dodges in my head. As for April Day – i just looked at it – ummm eep I think is my first reaction, then “my tower will NEVER ring this…” then, hmmm wonder if Tom (my equivalent of your Wild Robert) could find a band…..

  2. What was it you called robins? Feathered Razorblades or something like that? Several years ago and still makes me giggle when I think about it.

    Just watched a pirates production with high school kids out of duty (son’s best friend was in the chorus). I think I could handle overdone roast potatoes at this point. (But WHY, if you’ve got that sort of job with that level of expertise, would you not spend a teensy bit more and have something more realistic than potatoes?)
    Mind you, we missed the excitement of the final performance where said friend came a cropper with a ‘sword’ up his nose. Blood everywhere apparently. I think would have livened things up considerably.

  3. So, who was that baritone??

    Also, oh lord, Met broadcast prices. I have less and less “disposable” income – 2% Social Security increase this January, and a simultaneous $25 increase in the Medicare premium, and we won’t talk about the increases in my prescription copays (OK, I lied. *suppressed rant* My twice-daily inhaler cost me about $5 last year. This year? $47. A month. )

    Anyway, I still get the (least expensive, and they let us pay in installments) season tickets for Seattle Opera (and if you renew by some date or other in February, they’ll give you parking vouchers, which is an absolute godsend – weeknights parking costs $15, weekends $20). And I have to budget $25 for the ferry, round trip, car because I can’t do the walking. Oh, and “summer rates” (starting in April, running through at least October) increase it to over $30. Friends have been known to PayPal money to me so I can get wine at intermission.

    So… $21 senior rate for each Met HD broadcast ain’t gonna happen.

  4. I’m glad to know someone, somewhere, had a nice sunny day. I am writing as the snow is falling, the day after the April 2018 BLIZZARD that left anywhere from a foot to a foot and a half of snow at my house, along with rain and hail and freezing rain and sleet and thunder and wind and, lest we forget, more SNOW. There will be shovel-ready snow again tomorrow. It’s “Two Tramps in Mud-Time,” only we’re not back in the middle of March, we’re back in February. The only words that apply are not family-friendly.

    So I listened to Luisa Miller on the radio. I haven’t gone to the HD screenings for a while, but the film people have always had a misplaced devotion to close-ups. They’re great if you’re making a film, but not really a feature of a stage performance.

  5. Just had to say that your description of Revelation was superb. My (fellow Christian, fellow Robin fan) friend and I were collapsed with giggles. In part because we have apparently both had similar thoughts about that passage. I will confess that I personally hadn’t considered crown retrieval as an issue, but I have thought it sounded kind of ….boring. I mean, Heaven is supposed to be a place of unending joy and delight, and while praising God is awesome, all things in moderation. Spending the rest of eternity bowing and throwing crowns is less than inspiring. (I kind of wonder if they just did that when John passed by and then moved on to something else.) More of the praising God through a life well-lived and through remembering God regularly sort. So thanks for the laugh!

  6. I was trying to figure out why your story about the nest seemed so familiar, and then I realized it sounds like an excerpt out of Dragonhaven–cross-species communication (don’t think about it too closely), Eye Contact with momma, and babies that you are trying your hardest NOT to kill. And of course, the frenzied FEED ME’s.

    At least they aren’t sliming everywhere though.

  7. My questions are perhaps obscure, but I shall ask them anyways. First, would you ever consider something set in the world of Sunshine again? And along the same line as that, second, would you ever consider something from the world of Chalice? I absolutely love all your books, but those two are the ones I always felt sad to finish. Thank you for being you and letting us all in on what you create, you are amazing.

  8. “AND THERE’S A FRELLING CALL NEARLY EVERY FRELLING LEAD, twenty minutes is a very long time.”

    Yup. Our senior ringer has a penchant for touches of Grandsire like that. So far, I have either looked pitiful or headed for the treble when she says ‘Shall I call something interesting?’. My Grandsire skillz can be pretty inconsistent – I’d rather ring PB Minor any day.

  9. I wonder if Blogdad can check if there’s a problem with the website? Most of the time when I try and access it now, my computer’s virus protection is alerting me that it is blocking some malicious adware and moreover, even with the correct web address, the site is immediately redirecting to a tricky “You won blah blah blah, give us all your identifying information” webpage. The only way I’m able to get to the page is through the specific web address for the exact blog post – I can’t reach the main page. Is anyone else having this problem?

    1. Yes, I can’t get to the blog on my tablet (Safari); it always redirects. Firefox on my laptop will get there if I find a Google result with a dated blog post.

  10. I saw Cosi and Luisa Miller in person two weekends ago and watched the camera films during the latter. Wonderful singing, all around.
    Last weekend it snowed……

    Wishing you a warm (but not hot) spring soon.
    Best

  11. I’m so glad I found your new blog — I’d been lurking & reading the old one for years. And the blog voice is definitely coming through. I just laughed out loud twice (opera & revelation comments) and had to come comment before getting to the end of the footnotes. Thanks!

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.