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Return of the Knitting Lady, or, what were intervals made for anyway [message #45900] Sat, 29 October 2011 21:38 Go to next message
Robin  is currently offline Robin
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[Hellgoddess]
http://robinmckinleysblog.com/2011/10/30/return-of-the-knitt ing-lady/
Re: Return of the Knitting Lady, or, what were intervals made for anyway [message #45901 is a reply to message #45900 ] Sat, 29 October 2011 22:21 Go to previous messageGo to next message
EMoon
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Sounds like a wonderful, though strenuous, time. Totally agree about the concentration needed to drive.

So...how about the knitting?


E
Re: Return of the Knitting Lady, or, what were intervals made for anyway [message #45905 is a reply to message #45900 ] Sun, 30 October 2011 04:20 Go to previous messageGo to next message
Julia  is currently offline Julia
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Yes! I saw it too! But I'm in France, so that was an interesting exercise in comprehension- listening to the Italian and reading French subtitles which I then translated to English. It went pretty well, actually, and I was quite proud of myself. Smile

Leporello was indeed a bit overdone, but I enjoyed watching him. ( I also liked the bit near the end of the dinner sequence when Leporello said "Oh, I know this song!" and sang along: "Dum duh dah dum dah dah dumm dah daaah dum, bum bah dum bum ba dum bum ba dum.")
Quote:

Kwiecien has the voice and the charisma to bring the character off as toxic pond scum and not lose the plot of the Don as the great seducer.
I totally agree.
And I agree about this Don Ottavo, too. He had... dignity.

Oh, and did you get the same intermission interview with Jay Hunter Morris from Siegfreid? When he said "Right on, Renee" I wanted to laugh, but no one else understood (because it was in English, obviously).
Re: Return of the Knitting Lady, or, what were intervals made for anyway [message #45906 is a reply to message #45900 ] Sun, 30 October 2011 05:42 Go to previous messageGo to next message
harpergray  is currently offline harpergray
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If you have a chance to see it—and have some idea what you’re getting into—by all means go. ... Even going to a cinema opera—far less threatening (and expensive) than the live variety—and sitting slumped in your chair for a few hours is surprisingly tiring.

Ironically, for me* here in Sweden the live variety is actually cheaper than the cinema variety. I would have liked to see DON GIOVANNI, but...I do have a fair idea of what I'm getting into, and alas elected not to go. I'll keep an eye out for the repeat, though, because your glowing review has made me thing "Well...maybe..." Smile

*As a student who doesn't mind wonky seats too much as long as the acoustics are good and I can see at least a little. When I went with a couple of friends to see CARMEN recently, our seats meant that almost half the stage was obscured^, and after the interval we switched seats so that my friend could see a little bit more.

^The old opera house syndrome where it's more important to watch the audience than the show, I suspect.
Re: Return of the Knitting Lady, or, what were intervals made for anyway [message #45909 is a reply to message #45900 ] Sun, 30 October 2011 11:37 Go to previous messageGo to next message
AnguaLupin
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Normally I close my eyes during Don Giovanni and just listen -- totally abhorent characters that I'm supposed to care about, whatever -- but with this production, I watched almost the whole thing. Leparello was hillarious, Don Giovanni was deliciously self-absorbed, Donna Elvira had actual depth, and Zerlina was sassy. Donna Anna was wet, but that's unavoidable.

I agree completely that the portrayal of Giovanni as a total prick is much better than the portrayal of Giovanni as "one of those lads"; Kwiecien managed to pull off strangely seductive pond scum with flair. The ending, I thought, was brilliant -- when the Met pulls someone down into hell, they don't mess around. You were left with the feeling that Giovanni actually was !@#&ed, which isn't usual. Normally it's more like, "oh, Giovanni ended up in hell, I guess Mozart had to make it a morality play in the end". Not this time. Giovanni got his comeuppance.

Also, while I've loved both Wagners so far, judging by the thirty second clip of Seigfried, I'm going to adore next weekend. Wow. Jay Hunter Morris truly inhabited Seigfried; if he can pull off that charisma while standing up to Bryn Terfel, it's going to be an amazing opera.
Re: Return of the Knitting Lady, or, what were intervals made for anyway [message #45910 is a reply to message #45900 ] Sun, 30 October 2011 14:01 Go to previous messageGo to next message
Diane in MN  is currently offline Diane in MN
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We've had two productions of Don Giovanni here at MN Opera, and neither one has gone for a boys-will-be-boys approach to the Don and his activities. I don't myself think that the libretto supports that sort of interpretation, but of course that wouldn't stop a director.

Kwiecien has the voice and the charisma to bring the character off as toxic pond scum and not lose the plot of the Don as the great seducer.

What's interesting about the plot, though, is that D.G. is a pretty unsuccessful seducer in the course of this opera. Not that this affects his opinion of himself. Here, it’s less about courage than that he is mean, petty, and self-absorbed to the bitter end. Yes--it doesn't enter his universe that the jig could be up.

And don’t even talk to me about Cosi Fan Tutte.

MN Opera opened its season this year with Cosi. There was nothing objectionable about the production at all, but even by 18th-century standards the plot can be described as snarky at best. The director assumed the perspective that the women were in arranged marriages and that a realignment of the two couples would make for a true happy ending, but I suspect that he took that position to make the plot more acceptable to a 21st- century audience, because the libretto suggests nothing of the sort. But it's Mozart, so if any muttering was done, it wasn't obvious.



"The point of books is to have way too many but to always feel you never have enough . . . " Louise Erdrich
Re: Return of the Knitting Lady, or, what were intervals made for anyway [message #45915 is a reply to message #45900 ] Mon, 31 October 2011 00:46 Go to previous messageGo to next message
Firebyrd  is currently offline Firebyrd
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I love posts like this, not because I'm glad anyone suffers like this of course, but because it makes me feel like I'm not actually crazy. I rarely go to things like church, even though I'd like to and I sit at home most of the time, but sitting still (especially in a dress) is completely different from what I do at home. If I do go, I come home exhausted, in pain, and usually have to take a nap, even if I've only gone and sat for an hour. I feel like I'm a big baby, but it definitely helps to know I'm not the only one.
Re: Return of the Knitting Lady, or, what were intervals made for anyway [message #45916 is a reply to message #45900 ] Mon, 31 October 2011 02:35 Go to previous messageGo to next message
Caryn  is currently offline Caryn
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Ah. Mariusz. (swoon)
http://www.mariuszkwiecien.com/ (but it's Flash)

Loved this Don Giovanni. He felt real and arrogant as he would have been raised but he did pay attention to the women and you got the feeling he was searching for more, but women (he could smell them in the dark from several feet away) he just loved (for some definitions of the word).

Re: Return of the Knitting Lady, or, what were intervals made for anyway [message #45917 is a reply to message #45905 ] Mon, 31 October 2011 02:38 Go to previous messageGo to next message
Caryn  is currently offline Caryn
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I loved Jay's accent, being American South, and how he referred to the Met orchestra as "the band".

Where I am it starts at 9am next weekend. Wagner, at 9am. But we soldier on.

Re: Return of the Knitting Lady, or, what were intervals made for anyway [message #45918 is a reply to message #45917 ] Mon, 31 October 2011 03:25 Go to previous messageGo to next message
Julia  is currently offline Julia
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Quote:

I loved Jay's accent, being American South, and how he referred to the Met orchestra as "the band".
Yes, I thought it was great- just unexpected. My laughter was of the surprised variety, not the mocking sort. Smile

Quote:

We soldier on
Indeed. If I get paid in time, I'll be there, despite the fact that a 6 hour running time means that I won't leave the cinema until after midnight.
Re: Return of the Knitting Lady, or, what were intervals made for anyway [message #45924 is a reply to message #45900 ] Mon, 31 October 2011 12:09 Go to previous messageGo to next message
Corellia  is currently offline Corellia
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I am sooo envious! Don Giovanni has always been my favourite opera. Unfortunately I live in rural Norway, and opera is hard to come by. I would have to travel to Oslo to see it....

Edited to add: Ooops, I kind of ordered a ticket to the last rerun in Oslo... (This is me trying to save money, and failing).

[Updated on: Mon, 31 October 2011 12:55]

Re: Return of the Knitting Lady, or, what were intervals made for anyway [message #45925 is a reply to message #45900 ] Mon, 31 October 2011 13:17 Go to previous messageGo to next message
PamAdams  is currently offline PamAdams
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Hmmm.... Looks like my local amateur opera company isn't doing Don Giovanni until Spring- Don Pasquale is next up.
Re: Return of the Knitting Lady, or, what were intervals made for anyway [message #45947 is a reply to message #45900 ] Tue, 01 November 2011 10:10 Go to previous messageGo to next message
glanalaw  is currently offline glanalaw
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I have got to find a cinema nearby which shows the Live at the Met operas. Although the Nashville Opera, which is close, sells student rush tickets for a song (pun not originally intended, but I'm leaving it anyway), so I do get to see live opera on a fairly regular basis! This Don Giovanni sounds great, though.

I went to see La Traviata last month and I took my knitting. The expensively-dressed season-ticket holders I was sitting next to found it fascinating, but odd. They inquired what I was making, and I told them a sock (I was about 5 rounds into the cuff at the beginning of the first interval.) "There's not very much of it," one lady replied dubiously... I assured her there would very soon be more of it, but I'm not sure she believed me.
Re: Return of the Knitting Lady, or, what were intervals made for anyway [message #45948 is a reply to message #45909 ] Tue, 01 November 2011 10:17 Go to previous messageGo to next message
glanalaw  is currently offline glanalaw
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AnguaLupin wrote on Sun, 30 October 2011 11:37

The ending, I thought, was brilliant -- when the Met pulls someone down into hell, they don't mess around. You were left with the feeling that Giovanni actually was !@#&ed, which isn't usual. Normally it's more like, "oh, Giovanni ended up in hell, I guess Mozart had to make it a morality play in the end". Not this time. Giovanni got his comeuppance.


I am slightly envious. I saw Don Giovanni in Nashville a few years ago... it was a fabulous production, with good characterization, great sets, period costume, etc -- up until the final moments, when they had Giovanni stroll back on stage in a white suit and shades with a blonde on each arm, as if he not only had learned nothing, but was in fact getting exactly what he always wanted - lots of women - in the afterlife. This after a very effective dragging-down-to-hell scene. That one director's choice spoiled the whole production for me! I left saying over and over "but why would you DO that?!?"
Re: Return of the Knitting Lady, or, what were intervals made for anyway [message #45958 is a reply to message #45915 ] Wed, 02 November 2011 00:44 Go to previous messageGo to next message
danceswithpahis  is currently offline danceswithpahis
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Firebyrd wrote on Mon, 31 October 2011 00:46

I love posts like this, not because I'm glad anyone suffers like this of course, but because it makes me feel like I'm not actually crazy. I rarely go to things like church, even though I'd like to and I sit at home most of the time, but sitting still (especially in a dress) is completely different from what I do at home. If I do go, I come home exhausted, in pain, and usually have to take a nap, even if I've only gone and sat for an hour. I feel like I'm a big baby, but it definitely helps to know I'm not the only one.


I wonder if it might be helpful for you to find another church? I don't know what's available in your area, and this may not be an option for you. However, I know that at my church people wear things that aren't dressy all the time, and we have an area in the back behind the pews that has space for whatever people need it for. People walk babies (not the fussy ones -- they usually go outside -- but the ones who let you know that they WILL be fussy if you don't start walking), sit in wheelchairs, stand and fidget, whatever is needed. It's nice if you have some reason that regular sitting in pews isn't going to work.


"Oh good! My dog found the chainsaw!"

-- Lilo ("Lilo and Stitch")
Re: Return of the Knitting Lady, or, what were intervals made for anyway [message #45959 is a reply to message #45947 ] Wed, 02 November 2011 03:54 Go to previous messageGo to next message
Diane in MN  is currently offline Diane in MN
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glanalaw wrote on Tue, 01 November 2011 09:10

I have got to find a cinema nearby which shows the Live at the Met operas.


The Met's Live in HD web site has a list of participating theaters, both the ones that show the live performance and the ones that show the encores (sometimes these are different). Here's the link.




"The point of books is to have way too many but to always feel you never have enough . . . " Louise Erdrich
Re: Return of the Knitting Lady, or, what were intervals made for anyway [message #45962 is a reply to message #45958 ] Wed, 02 November 2011 08:28 Go to previous messageGo to next message
blondviolinist  is currently offline blondviolinist
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danceswithpahis wrote on Wed, 02 November 2011 00:44

Firebyrd wrote on Mon, 31 October 2011 00:46

I love posts like this, not because I'm glad anyone suffers like this of course, but because it makes me feel like I'm not actually crazy. I rarely go to things like church, even though I'd like to and I sit at home most of the time, but sitting still (especially in a dress) is completely different from what I do at home. If I do go, I come home exhausted, in pain, and usually have to take a nap, even if I've only gone and sat for an hour. I feel like I'm a big baby, but it definitely helps to know I'm not the only one.


I wonder if it might be helpful for you to find another church? I don't know what's available in your area, and this may not be an option for you. However, I know that at my church people wear things that aren't dressy all the time, and we have an area in the back behind the pews that has space for whatever people need it for. People walk babies (not the fussy ones -- they usually go outside -- but the ones who let you know that they WILL be fussy if you don't start walking), sit in wheelchairs, stand and fidget, whatever is needed. It's nice if you have some reason that regular sitting in pews isn't going to work.


It *is* really nice if you have a church that's flexible like this. I have a friend, however, who attends a t-shirt-&-jeans-type church, and she still misses a lot because she can't afford to be flat on her back the next day b/c she went to church on Sunday. Sometimes there is simply *no* reserve energy, no matter how accommodating the church is. (She's also a full-time doctoral student, including teaching several classes per week. I find being a grad student hard enough with a healthy body. I have no idea how she manages to do it.)


"Purity of heart is to will one thing." Kirkegaard
Re: Return of the Knitting Lady, or, what were intervals made for anyway [message #45963 is a reply to message #45959 ] Wed, 02 November 2011 08:29 Go to previous messageGo to next message
glanalaw  is currently offline glanalaw
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Diane in MN wrote on Wed, 02 November 2011 03:54

glanalaw wrote on Tue, 01 November 2011 09:10

I have got to find a cinema nearby which shows the Live at the Met operas.


The Met's Live in HD web site has a list of participating theaters, both the ones that show the live performance and the ones that show the encores (sometimes these are different). Here's the link.




Thank you! I just looked, and for a wonder my little town's theatre is actually on the list! This is going to be very good for my opera education... and very bad for my bank account.
Re: Return of the Knitting Lady, or, what were intervals made for anyway [message #45975 is a reply to message #45962 ] Wed, 02 November 2011 23:04 Go to previous messageGo to next message
danceswithpahis  is currently offline danceswithpahis
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blondviolinist wrote on Wed, 02 November 2011 08:28

danceswithpahis wrote on Wed, 02 November 2011 00:44

Firebyrd wrote on Mon, 31 October 2011 00:46

I love posts like this, not because I'm glad anyone suffers like this of course, but because it makes me feel like I'm not actually crazy. I rarely go to things like church, even though I'd like to and I sit at home most of the time, but sitting still (especially in a dress) is completely different from what I do at home. If I do go, I come home exhausted, in pain, and usually have to take a nap, even if I've only gone and sat for an hour. I feel like I'm a big baby, but it definitely helps to know I'm not the only one.


I wonder if it might be helpful for you to find another church? I don't know what's available in your area, and this may not be an option for you. However, I know that at my church people wear things that aren't dressy all the time, and we have an area in the back behind the pews that has space for whatever people need it for. People walk babies (not the fussy ones -- they usually go outside -- but the ones who let you know that they WILL be fussy if you don't start walking), sit in wheelchairs, stand and fidget, whatever is needed. It's nice if you have some reason that regular sitting in pews isn't going to work.


It *is* really nice if you have a church that's flexible like this. I have a friend, however, who attends a t-shirt-&-jeans-type church, and she still misses a lot because she can't afford to be flat on her back the next day b/c she went to church on Sunday. Sometimes there is simply *no* reserve energy, no matter how accommodating the church is. (She's also a full-time doctoral student, including teaching several classes per week. I find being a grad student hard enough with a healthy body. I have no idea how she manages to do it.)



Yes, I know that sometimes no matter how much you want to do something and how much accommodation you can squeeze out, it just isn't possible. I only wanted to mention it because I know sometimes a little thing like different clothing requirements or knowing that getting up and moving around WON'T actually bother anyone else can make a big difference if you're on the borderline of being able to do it or not.


"Oh good! My dog found the chainsaw!"

-- Lilo ("Lilo and Stitch")
Re: Return of the Knitting Lady, or, what were intervals made for anyway [message #45978 is a reply to message #45963 ] Thu, 03 November 2011 00:54 Go to previous messageGo to next message
Diane in MN  is currently offline Diane in MN
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You're welcome! The theater close to me gives a senior discount, which will not buy groceries but every little bit helps. Smile And of course one can always listen for free on the radio and just get very selective about the ones she chooses to watch.



"The point of books is to have way too many but to always feel you never have enough . . . " Louise Erdrich
Re: Return of the Knitting Lady, or, what were intervals made for anyway [message #45996 is a reply to message #45975 ] Thu, 03 November 2011 17:16 Go to previous messageGo to next message
Firebyrd  is currently offline Firebyrd
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danceswithpahis wrote on Wed, 02 November 2011 21:04

blondviolinist wrote on Wed, 02 November 2011 08:28

danceswithpahis wrote on Wed, 02 November 2011 00:44

Firebyrd wrote on Mon, 31 October 2011 00:46

I love posts like this, not because I'm glad anyone suffers like this of course, but because it makes me feel like I'm not actually crazy. I rarely go to things like church, even though I'd like to and I sit at home most of the time, but sitting still (especially in a dress) is completely different from what I do at home. If I do go, I come home exhausted, in pain, and usually have to take a nap, even if I've only gone and sat for an hour. I feel like I'm a big baby, but it definitely helps to know I'm not the only one.


I wonder if it might be helpful for you to find another church? I don't know what's available in your area, and this may not be an option for you. However, I know that at my church people wear things that aren't dressy all the time, and we have an area in the back behind the pews that has space for whatever people need it for. People walk babies (not the fussy ones -- they usually go outside -- but the ones who let you know that they WILL be fussy if you don't start walking), sit in wheelchairs, stand and fidget, whatever is needed. It's nice if you have some reason that regular sitting in pews isn't going to work.


It *is* really nice if you have a church that's flexible like this. I have a friend, however, who attends a t-shirt-&-jeans-type church, and she still misses a lot because she can't afford to be flat on her back the next day b/c she went to church on Sunday. Sometimes there is simply *no* reserve energy, no matter how accommodating the church is. (She's also a full-time doctoral student, including teaching several classes per week. I find being a grad student hard enough with a healthy body. I have no idea how she manages to do it.)



Yes, I know that sometimes no matter how much you want to do something and how much accommodation you can squeeze out, it just isn't possible. I only wanted to mention it because I know sometimes a little thing like different clothing requirements or knowing that getting up and moving around WON'T actually bother anyone else can make a big difference if you're on the borderline of being able to do it or not.


Yeah, that's not really an option, and church was just one example as being weekly, it comes up more frequently. Going to the movies is difficult, going in a car as little as fifteen minutes can be problematic, and so on and so forth. And I think even the most liberal of churches would probably start looking at me funny if I started putting my legs up on the pew in front of me like I do on my desk at home. Wink I appreciate the suggestion, though!

Re: Return of the Knitting Lady, or, what were intervals made for anyway [message #45999 is a reply to message #45978 ] Thu, 03 November 2011 18:55 Go to previous message
glanalaw  is currently offline glanalaw
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Perhaps they would give me a student discount. That would be nice Smile I'm bummed because I have a dress rehearsal smack in the middle of the Sigfried broadcast this weekend! Perhaps I can catch the encore showing...
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