I hate technology. I really, really, really really hate technology. I have a 3000-word semi-catch-up post for you . . . which I can’t copy and paste into the blog admin window because the fancy pizzazzy ultrabook had a meltdown about a fortnight ago, ate its mouse and left me with somewhat rudimentary pad and pointer effects which . . . oh, never mind. I can’t copy and paste, okay? And I’m still waiting for the replacement mouse because the frelling mouse-replacement site keeps changing its mind about whether it’s in stock and when it can send me one.*
So I’ll email the ratbagging post to myself, pick it up on one of my OLD computers and post it from there. But not tonight. ARRRRRRRGH.
- * * *
*Okay it’s not any old mouse. It’s pink.
Admetus, Peter and I went to the live cinema screening of the National Theatre’s EVERYMAN tonight—yes, the medieval morality play*, yanked into the present day and adorned with bad language and cocaine by Carol Ann Duffy, of whom I am a besotted and drooling fan**, and when I saw this play existed and that, furthermore, the National Theatre was going to live-screen it I WANTED TO GO.***
IT IS WONDERFUL AND AMAZING AND POWERFUL AND TERRIFIC. GO IF YOU HAVE THE CHANCE. They do rescreenings for these live things some times . . . check your local listings.
* * *
* Which I read in college. Hey, it’s shorter than Bunyan’s frelling PILGRIM’S PROGRESS. Even us English majors have our limits. Although I read most of Bunyan too.^
^ And I like Spenser, who usually appears on the same class syllabus. Sue me.
* I admire both her poetry and her politics. Generally speaking I remember a pressing engagement on the other side of the planet as soon as some arty type starts coming out in political activism like a rash, but there are a few who do it with aplomb, Duffy being one of them. The fact that she’s hot on women’s and sexual and gender rights AND HAS A SENSE OF HUMOUR WITH IT might have something to do with this.^
^ Also my wet-liberal tendencies are getting larger and meaner and shorter-tempered+ as my Street Pastor and Samaritan duty hours rack up.
+ Frightening. Yes.
*** There followed several months of frustration. I cannot BELIEVE the level of meatloafhood in many and possibly most arts and entertainment web sites. ARRRRRRGH. I think I only found out about either the play or the live screening because I’m on the NT’s STREET MAIL CATALOGUE LIST. But you have to buy your tickets from your local cinema, supposing you can find the right local cinema, since the cinema list on the NT site will not match the local cinema’s information when, the NT link being dead or missing, you try your local cinema’s own web site. This tarantella of frustration is further enhanced by the original performance site—in this case the National Theatre, but it is by no means the only perpetrator of this variety of on line crime—whining continuously in obtrusive pop-up boxes for your location so it can give you a personally tailored web site experience, and, when you cave and give it to them, and it is, let’s say, Hampshire, immediately offering you 1,000,000 cinemas in London. THANKS EVER SO. I KNOW IT SOMETIMES LOOKS LIKE THE ENTIRE SOUTH OF ENGLAND IS A LARGE BEDROOM COMMUNITY FOR LONDON BUT SOME OF US REALLY LIVE HERE.^
Meanwhile . . . I could not persuade my local cinema to take my money and give me some seats for EVERYMAN, and since it’s a flapdoodling cinema chain, you can’t get a local human being on the phone—nor is the on-the-ground ticket office open during ordinary town-errand-running day hours—to tell you if it’s coming to your particular local. The chain’s theatre local to a town 300 miles away is not really what you are after. ARRRRRRGH. So the NT web site went on saying it was here, and here went on saying Page Not Found. So I finally threw up my hands^^ and bought tickets at a theatre in Greater Footling, which isn’t impossibly far from here.^^^ I didn’t find out that yes, indeed, EVERYMAN is coming to the local scion of national cinema glory until we walked in to see the Royal Opera House live screening of GUILLAME TELL~ there a fortnight ago, and saw large flashy posters for EVERYMAN on the walls. AAAAAARRRRRRRRGH.
BUT THE STORY DOES NOT END HERE. In the first place, there are two theatres belonging to this other incompetently head-officed and web-sited cinema chain, AND with nearly the same name, ie the Toadstool and the Toadstool Phoenix, both of them not merely in Greater Footling but the same end of Greater Footling and Greater Footling is not exactly a gazillion-citizen megalopolis AND BOTH OF THEM WERE SCREENING EVERYMAN. Go figure. Admetus had looked up how to find the Toadstool Phoenix and I had looked up the Toadstool, and there was a certain amount of frantic cross-checking yesterday.
Well we got that sorted and we even successfully arrived at the Toadstool~~. Now my on line booking was, according to what I printed out to take with me, only a booking and we had to get there HALF AN HOUR EARLY to pick up the tickets. Fortunately, having wasted time going in several wrong directions, we got there only about a quarter hour early . . . fortunately because the box office was not open. The ticket machine did not show EVERYMAN. The androids behind the snacks counter were only programmed to provide snacks. The whole dranglefabbing complex was pretty comprehensively deserted and since there are 1,000,000 screens at the Toadstool Stepford we might still be there wandering hopelessly down identical corridors except the screen number was on my booking page. We went there. We decided we didn’t like the seats I’d booked—who can tell anything from a web schematic—and sat somewhere else. Since there were only about ten of us perched randomly in a theatre that would probably seat 200 it didn’t matter too astonishingly. And no one ever checked our booking, or asked for our tickets, or offered us a wet fish or a glass of Prosecco, or anything else. But there must have been a Stepford minion pressing the button for the show to run, because it did run. Yaaaaaay.
^ The worst offender in the web site visitor location category however is the frelling New York Metropolitan Opera. I don’t know what the frelling doodah is going on with the Met Live this year—tickets should be on sale by now—and I can’t find a cinema anywhere around here that admits to screening it, including the one I’ve always used in the past. But if you click through all the dazzle to the Met Live page on the Met Opera site, and ask it to find you your local cinema, it will ask you for your country and then for your city. I clicked hopefully on Mauncester, which is even on the Met Live drop down menu of Hampshire cities . . . AND THE CINEMA LIST STARTS OFF IN AUSTRIA. THEN GERMANY. THEN . . . Belgium, I think. I forget. But you’ve scrolled down several pages before you ever get to the UK at all. If they’re trying to impress me favourably with the number of cinemas worldwide that screen the Met Live this is not having the desired effect.
^^ There may have been language.
^^^ Especially when Admetus is driving. Ahem.
~ The now nationally if not internationally notorious new ROH production of GUILLAUME TELL. Yes, yes, William Tell, but Rossini was an Italian writing for the French opera, okay? Whatever you call it it’s supposed to be Rossini’s unknown masterpiece, never put on because it’s five hours long and you’re only allowed to write operas longer than four hours if you’re Wagner.+ I was THRILLED when I heard that the ROH was going to do it, and QUADRUPLY THRILLED that they were going to live stream it and live stream it at a cinema close enough for me to drive to. YAAAAAAAAAAY. I bought tickets more or less the moment they went on sale and was enormously looking forward to it. ENORMOUSLY.
The beginning of that week I got a text from Admetus saying, erm, have you seen the reviews for the opening night of GUILLAUME TELL? I hadn’t. The hot young director++ in his creative capacity as an enormous flaming asshole had decided that the bad guys’ bad-guy-ness—whatever else you do with it, the story is still basically about a bunch of locals being stomped by an invading army—needed to be heightened, and never mind that Rossini and his text provider actually took quite good care of making the bad guys bad in the libretto—and so staged an extremely graphic rape scene during the chirpy ballet+++ at the beginning of the third act. A local woman is harassed and molested by a gang of the bad-guy officers . . . and then stripped naked, thrown on the banqueting table and gang raped. BECAUSE THE AUDIENCE NEEDS TO UNDERSTAND ABOUT THE BRUTALITY OF WAR.
Opening night was booed so thoroughly that (according to reports) you couldn’t hear the music. Quite a lot of ink, newspaper and virtual, was spilled subsequently (most of which you can still find on line if you’re interested) and I spent rather too much of that week reading reviews and feeling ill. I almost didn’t go. I don’t need to understand about the brutality of war, or about the gross inhumanity of man to man or men to woman# and I don’t think the first night reaction was anything about British parochialism, which is one of the things that was elitistly suggested.
They’d toned it down some## by the day of the cinema broadcast . . . but I did go, and that scene still made me feel physically sick and I almost walked out. The only reason I finally went at all was because the reviews were also universal that it was exquisitely sung AND I WANTED TO FRELLING HEAR IT which is where we came in. And it was exquisitely sung, and I in fact came home and ordered the CD with the same cast and conductor which gets about twelve stars in the Penguin Guide as well. But for gratuitous, inappropriate, stupid, pretentious shock value, the rape scene takes some kind of gigantic toxic biscuit. I’m also happy to say that the controversy did not put bums on seats around here: I’d never seen the cinema so empty for an opera screening.###
+ I will probably never see Parsifal, partly because I’d be throwing rubbery carrots and small dead animals at the stage by the end of act two, but also because, supposing I hadn’t been ejected yet, I’d have pressure sores by the end of act twelve, or whenever it finally stops.
++ On whose head let there be a positive avalanche of small dead animals in an advanced state of decomposition
+++ French operas of that period apparently HAD to have ballets. There are a lot of standard rep grand operas that seem suddenly and startlingly to come to a thundering [sic] halt for the ballet. Good time to sneak out for another glass of Prosecco. Especially if it’s GUILLAUME TELL under this director.
# Oh, and? The actress does not—or at any rate did not—get a mention in the credits. Several of us saw some further symbolism in this.
## After both director and ROH head did the blustery bit about artistic integrity and said they weren’t going to change a thing
### There was a lot of raging stupidity elsewhere in this production. Why the freedom fighters took their shirts off—rarely a performance plus in a large group of opera singers—to smear themselves in blood and dirt before they went into battle was not clear, and went CLANG in a production that had more or less updated the story to the 20th century. And there is a scene at the end that I’m surprised was even allowed, when the villagers’ children are stripped down to their underwear and bathed in a series of small tubs dotted across the stage. Presumably it was to indicate Fresh Young New Beginnings, the bad guys having been against the odds seen off, but it was creepy in the extreme.
~~ Some of our wrong turnings tonight looked very familiar since Fiona and I had made them a while back when we tried to find the Toadstool. We had of course complicated the issue by stopping at a yarn store first which for some reason Peter and Admetus were not interested in. Men. Sigh.
. . . yesterday. I’d been Street Pastoring Friday night* so getting out of bed Saturday (ahem) morning (ahem) was a somewhat protracted business.** I eventually came downstairs*** and was fallen on by the hellmob† who feel that six hours is plenty of time to be without the fascinating, stimulating and all-providing hellgoddess.††
And before I go on with this story I want to make it very clear that I had had an adequate amount of caffeine . . .
I have three eggs for breakfast every morning.††† I make excellent scrambled eggs‡ and this also means that if I—er—don’t get around to eating for the rest of the day I’m still good to go.‡‡ I have NO IDEA how it happened, except that I must have put the pan carelessly down on the edge of the cooker while I reached for the bowl. Possibly to do with sleep deprivation. Even caffeine can only do so much.
AND THE BLOODY PAN LEAPED OFF THE COOKER, DID THREE CARTWHEELS MIDAIR‡‡‡ AND PLUNGED TO THE FLOOR WHERE IT FRELLING BOUNCED. Who knew that a heavy copper pan COULD BOUNCE THAT HIGH?
I had scrambled eggs—scrambled eggs that had just had their butter stirred into them a moment ago—EVERYWHERE. I mean EVERYWHERE. I’m starting to feel hysterical again just remembering. The eggs that landed on the front of the Aga itself were instantly welded into place because the front of the Aga is HOT, you know? The fronts of the white cupboards were suddenly a shiny mottled yellow. I had eggs on my computer, eggs on the piles of books and magazines§ to either side of it, eggs on the glass panes of the cupboards above the counters, eggs on my knitting bag . . . eggs on the FAR SIDE OF THE KITCHEN ISLAND, on the table I can no longer get the leaves up of because there are too many hellcritter crates, and on the glass front of the bookcase that stands next to the table. There are probably eggs in the geraniums on the windowsills too, but it’s a bit of a jungle in there and if there are eggs they can just stay there.
Meanwhile, back at ground zero . . . my kitchen was built by a cowboy. I have no idea where my predecessor found him, but I hope she put him back where he can trouble no one any further. Since I have a cowboy mentality when it comes to housework this is mostly not that big a problem. I curse the drawer that doesn’t open except when it shoots out and falls to the floor, but mostly I can ignore the fact that it has big gaps at the top and on both sides, and that the handle doesn’t fit flush to the front. I can also ignore that the cowboy was either drunk or high when he put in the footings for the Aga§§ UNTIL I’M TRYING TO CLEAN SCRAMBLED EGGS OFF EVERY SURFACE IN THE KITCHEN. A heavy copper pot can cannonball its contents with amazing force. I had greasy scrambled eggs inside that frelling drawer, having slammed through the cracks; I had scrambled eggs jammed under the not-flush handle. I had—and, in fact, still have, since I see no way of getting them out—scrambled eggs puttying up the gaps in the Aga footings . . . I had scrambled eggs inside the oven-shaped space in the Aga that contains the gas feed and the striking mechanism and the spigots because there are vents in the top of the door which the eggs came through. I had eggs sliding down Jesus’ tummy on the brand-new icon I have hanging on the front of one of those glass-paned cupboards§§§. I had eggs dripping off the overhead ceiling beam.
I spent two hours cleaning the kitchen.~ And whining. And then I made myself more scrambled eggs and I ate them. ~~
* * *
* And I got STOPPED BY THE FUZZ ON THE WAY HOME. Hee hee hee hee hee. They must have been bored^—or poor Wolfgang has that look of minor criminal delinquency. I saw a car pull in behind me and I couldn’t see it was cops but I am happy to say that late at night any car that pulls in behind me is guilty until proven innocent of being cops, and I drive accordingly. At 4 am after being on your feet strolling the city for six hours you might be forgiven for BEING A LITTLE TIRED.^^ I had about decided this car was not cops since it had followed me all the way through town and out the other side and I hadn’t had any near encounters with trees or anything. But they still pulled me over, one of them ambled out and asked—politely—if I was lost or if perhaps . . . I had had one or two down t’pub earlier? No, I said cheerfully, I’ve been Street Pastoring, and I waved the sleeve of my jacket, lying on the seat next to me, at him. Oh, Street Pastors, he said, carry on. I spared him pointing out that he’d just spoken to me not an hour before on a street corner . . . but the anonymous thing about a uniform? The SP logo is like a great big HARMLESS sign and I think cop gaze slides right off us. Not the other way around, you will note. But I’m still getting used to chatting amiably with The Man. Or, occasionally, Woman.
^ I’m happy to say that in this area at 4 am, when the final Chinese/Thai/Indian takeaway/kebab shop/Subway sandwiches has closed after the last club+ has closed, things are pretty quiet. Except for the occasional random old lady serially hurtling a hellmob. The cops’ve stopped her too, as you may recall.
+ Yes we have those too. No, really. You want vices? We got vices. It’s just most of them go to bed pretty early.
^^ I would be useless at shift work—like cops—and with the ME the only reason I can do Street Pastoring at all—or all those late Sam duties—is because I stay up late anyway. Just not quite this late+ and there’s less walking involved++, although what walking there is on an ordinary McKinley late night includes liberal use of small plastic bags.
+ Um. Usually
++ Or chatting to people, which is much more tiring.# I like carrying the knapsack, despite the weight of a full frelling thermos, because then I can concentrate on the hot-drinks service and conversation can be honourably limited to ‘vegetable, chicken and vegetable or hot chocolate?’ Mind you wrestling with thermoses that don’t open, plastic bags of paper cups that have no entry point, packets of soup that won’t tear and the regular dismaying disappearance of all the spoons, it usually takes an entire team to get a hot drink made anyway. I suspect many of our regular homeless don’t want the drink but they enjoy the show.
# Answering the phones at the Sams is different. They rang you. You didn’t wander up to them wearing a silly hat.
** I’ve got the standard post-late-Sam duty system reasonably well banged out but I’m still working on post-SP. I have two major problems about getting to bed before the morning news on Radio 3^: the first is this three dog drill. Pav is totally down on bodily functions. You take her out, she does the necessary and she can’t wait to get back indoors again BECAUSE THERE WILL BE FOOOOOOOOOD. Hellhounds . . . Chaos has to crap at least twice^^ every time he sets foot across the threshold and Darkness has to find the PEEEEEEEEEERFECT spot. He can shuttle around a patch five foot square for five minutes . . . and then CHANGE HIS MIND and be obliged to LOOK ELSEWHERE. And the pee-marking . . . they may have to pee several times and from several different directions on a single tree, dustbin, bus stop, wall^^^, pole, etc. Although watching them trying to get it RIGHT with a pole is pretty funny since their aim isn’t all that great, and . . .
And the other thing is that I come back from any late duty STARVING. And more so after following flaming hellhounds around on their eliminatory QUEST. And eating is, you know, time consuming, since you’re not going to gag down six brownies and an onion^^^^ at the kitchen sink, are you? You’re going to want to consider your choices and then sit down and enjoy your selection, and maybe get out a book to read or a little knitting and . . .
^ the sound of which produces an OH FESTERING FESTERING reaction, especially if I’ve fallen asleep in the bath again
^^ I am not merely paying for the makers of biodegradable plastic crap bags to send their children to college, I am also funding their tropical rainforest holidays in Maine and sun and surf holidays in Tibet+. ARRRRRRGH.
+ Both of these options are EXTRA EXPENSIVE for what you might call the obvious reasons
^^^ Walls come in extents, you realise. A self-contained extent from a peeing-dog perspective is anywhere from three-quarters of an inch to about two foot. Sigh.
^^^^ Well I hope you aren’t
*** There may have been moaning
† I am DELIGHTED TO REPORT THAT the hellterror is off heat again YAAAAAAAAAAAAAAAAAAAY. Although the hellhounds are still checking. Hellterror is all, you want my butt? I am delighted you want my butt! Here is my butt! HERE IS MY BUTT! HERE IT IS! HERE! ARE YOU ENJOYING MY BUTT? IT’S A NICE BUTT, ISN’T IT? MAYBE YOU’D LIKE TO TICKLE MY TUMMY TOO? OR I COULD JUST MUG YOU. —Remind me why I have dogs.
†† Getting your dogs on your peculiar schedule is easy. But all those bright little expectant eyes when you crawl through the door at three or four in the morning is perhaps not the perfect solution. When are they going to invent a dog-walking robot?
††† All right so it’s not necessarily morning. It’s the first meal of the day, okay? Unless you count the nosh at 5 am.
‡ Possibly almost as good as Sunshine’s. Almost. After all, she’s a professional.
‡‡ There could be some connection here with why I am often starving at three or four in the morning. But post-menopausal metabolism, you know? The frelling eggs are an indulgence. I could maintain weight on a carrot a week, I swear. A small carrot.^
^ I am not thinking about Niall’s brownies. I am not thinking about Niall’s brownies. NOT. +
+ However I am apparently ringing at Old Eden tomorrow night, where ringing up those bells is like running a flag up a flagpole where the pulleys are all frozen and the flag is the approximate size, weight and momentum resistance of the Albert Memorial. Who needs a gym subscription?
‡‡‡ During which I wrung my hands and did not make a grab for it because it had only JUST come off the hot plate and I employ a heavy copper-clad steel pan because I can use all the upper-body strengthening devices I can get AND it cooks divinely not least for its HEAT RETAINING PROPERTIES.
§ You mean not everybody eats surrounded by books and writing implements of various applications, or keeps current reading material on the kitchen counters?^
^ There would be more on the floor except, you know, hellterror. No she doesn’t eat paper but she does carom off it.
§§ It’s a reconditioned one so it’s possible that whoever did the reconditioning also supplied the footing. This is not an encouraging thought. Fortunately the Aga herself is a star and I wouldn’t be without her. Long time readers may recall I’ve said that all my friends fell down laughing when they found out I’d bought a house with an Aga in it since I had clearly bought it for the Aga. Ahem. I deny this charge. Although I admit the presence of an Aga may have been a tipping point.
§§§ A few weeks ago, when the real world was beating me up unusually hard, I met my monk on my way into the chapel on Saturday night and he asked me how I was. I burst into tears. The end of that conversation included Alfrick suggesting I buy myself a suitable icon and start poking my problems into the little cave with the skull in it at the foot of the cross.^
^ First you have to find a reproduction that doesn’t chop the cave off because it’s all for tourists anyway and they won’t care. Good grief. Or I should probably say God bless. I finally found a nice shiny working Catholic repro of an icon. I don’t recall however that you’re supposed to baptise your new icon in scrambled eggs and I was a little worried that the cheap varnish was going to peel off, but it seems to have taken no harm.+
+ This is a monologue for another night, but having been raised, supposedly, to be a generic Protestant . . . generic Protestants so miss out on the evil-papist [sic] ritual objects like icons and rosaries. Maybe I’m just unusually mired in earthly matters# and/or old to be this young, but I find the props tremendously helpful and supportive. We are living in this world with bodies in three mortal dimensions##. I belong to the school of thought that it’s not all about transcendence.
# two hellhounds with chronic diarrhoea and a hellterror with a fabulous butt can do this to you
## and hellcritters. I think hellcritter bodies exude an extra dimension or two. Possibly hellterrors have a special Butt Dimension which could explain a lot.
# Small mercies: the hellterror had been recrated^ before the excitement. She did, however, have lovely buttery scrambled eggs for breakfast. She did not care that they’d spent a few minutes on the floor or were seasoned with tears of rage and despair.
^ For an excess of butt-related activities
~ It’s still speckled yellow. But it’s less speckled. .
~~ Today, however, has been better. We went to a ROSE GARDEN.
It’s bad enough that I have a brain that . . . well, if you put my brain at one end of the Spectrum of Deadly Danger and a berserker regiment in a nasty temper all bearing freshly-sharpened weapons of individual destruction at the other end, and then tried to decide where a peanut butter sandwich on Wonder bread should be placed . . . it would go nearer the berserker regiment end than the my-brain end, all right? Which this paragraph goes some considerable way toward proving.
So if I forget something important it’s ALWAYS likely that it’s my own stupid disintegrating fault because I am a frelling nincompoop and I drop things constantly* and my brain is made of guacamole.** Which is to say I DO NOT NEED ANY HELP FROM MY TECHNOLOGY ABOUT SCREWING STUFF UP.
Which of course has no impact on present circumstances whatsoever. Pooka keeps insisting that she hasn’t been backed up to The Cloud in years***, so much so that pretty much everything I do on her—text, for example—suffers from extreme pop-up-box-itis, something like this: Hi, are you—BACK ME UP! BACK ME UP! BACK ME UP!—free for the dinosaur safari—BACK ME UP! BACK ME UP! BACK ME UP NOW!—next week? If we—BACK MEEEEEEE UUUUUUUUUP—book now we get a free slushie and a Tyrannosaurus Rex—AREN’T YOU PAYING ATTENTION? I NEED TO BE BACKED UP BEFORE THE HELLTERROR EATS YOUR LAPTOP†—hatband—YOU’LL BE SORRRRREEEEEE ABOUT ALL THOSE UPDATED FILE EMAILS YOU FORGOT TO SEND YOURSELF†† IF YOU DON’T BACK ME UP.†††
Interspersed in these merry japes also are sporadic demands for my Apple ID password. I’m really tired of Apple’s The World Is At Risk By Our Greatness attitude which means they won’t let you reuse a password because WE ALL MIGHT GET HACKED BY PURPLE TENTACLES FROM BETELGEUSE but I would put up with this better if they didn’t periodically decide they don’t like my password and demand I come up with a new one. I used to think this was just my idiot fingers typing ‘Agamemnon’ when I meant ‘Clytemnestra’ but no. Apple clearly produces ALGORITHMS demanding new passwords at intervals that sure come across as random to people like me.
A new low in my tech relationships was reached this past week. One of the things the Sams don’t go out of their way to warn you about when you sign up is that they will be requiring certain admin duties out of you as well as all those hours on telephones. I had an Admin Duty spell this last week which necessitated the sending of emails to massed ranks of Sams. I had laboured particularly over one such email, bent over the Aga and a cup of very strong tea with the iPad on my knee, hit ‘send’ and . . . NOTHING HAPPENED. AAAAAAAAUGH. The iPad gets lonely if it doesn’t get to keep a few emails all to itself. And it likes to collect unsent emails. You the helpless suffering human get the ‘server failure’ notice, the email disappears, the little box at the bottom of your email screen adds one to the ‘unsent’ total . . . but you can’t rescue the email and, I don’t know, resend or anything, because it doesn’t get stashed anywhere sensible like your outbox. IT’S PROBABLY LURKING IN THE CLOUD.
And did I tell you that the last time I actually managed to hang a blog post, this from the ultralapbooktop, Microsoft in its infinite unwise bad attitude informed me that it wanted to do an update, and it wanted to do it now, but I could postpone if I wanted . . . so I postponed AND IT SHUT ME DOWN ANYWAY WITHOUT WARNING ABOUT TEN MINUTES LATER. I HAD TIME TO EAT A LOT OF WALLPAPER BEFORE IT TURNED ITSELF BACK ON AGAIN, AND WHEN I CLIMBED BACK INTO THE ADMIN SIDE OF THE BLOG, SNAPPING AND SNARLING, I DISCOVERED THAT ABOUT A TENTH OF THE TEXT HAD LEFT FOR PARTS UNKNOWN TAKING WITH IT MOST OF THE PUNCTUATION AND ALL THE FORMATTING.
I may not have told you. I was too busy trying to prevent my head from exploding.
Maybe I should just go bell ringing more often. . . .
* * *
* Ask the hellterror. Fortunately she thinks it’s a game. —Oooh!, she says, leaping up on her little bedspring legs and punching me enthusiastically in the gut with her forepaws.^ Do that AGAIN!
^ I know. I am a Bad Owner. I permit this. But I think having her pogosticking about the place is amusing. She does know ‘off’ but she hears it relatively rarely and it doesn’t slow her down much. When I try to enforce it she looks at me with an expression of ‘I have to long sit before my last PALTRY snack of the evening+ and now THIS?’ Bullies’ faces aren’t built for looking long-suffering but she has a really good try.
+ She does too. Three to five minutes depending on how patient I’m feeling#. She’s got her harness and lead off and the gate is open and NOTHING BUT SELF RESTRAINT is preventing her from bolting into her crate and snarfing like crazy. ::haphazard owner beams with pride::
There really is a lot to be said for food oriented hellcritters. They are so . . . trainable. Said training may be a long, bloody, and hoarse-making process but it’s POSSIBLE. I get bombarded with a variety of Dog Media because I contribute tiny sums to a number of critter charities and they’re always frenziedly updating you as a flimsy disguise for begging for more money, and they frequently offer you clever suggestions for Training Interactions with Your Resident Hellcritter(s). And they’re ALL frelling based on FOOD REWARDS. I was particularly offended by one that fell through the mail slot just a day or two ago, since the illustrations included a whippet clearly getting into the whole food-treat thing. It was a bull terrier with leg extensions and a mask.
# And/or how many knots I’ve got in the laces of my All Stars. There is a rant to be ranted about the varying LENGTHS of the laces that over the years come with your pretty much standard-shaped All Stars. Some seasons they’re so frelling long I could tie the hellmob to them and dispense with leads. Some seasons they’re so dranglefabbing short you have to omit the last two or three pairs of holes to get them tied at all.
** I perceive a theme.^ I didn’t realise I was hungry. MORE CHOCOLATE. More chocolate is the answer. More chocolate usually is the answer. As the kitchen magnet says, Chocolate is the answer. What was the question?
^ Also: guacamole is far less dangerous than peanut butter. You might want to make a note.
*** Do I want to be backed up to The Cloud? The thing about little pieces of paper is that you’re pretty sure they’re here somewhere. Explanations about what The Cloud is or how it works or where anything in it actually is involves the dreaded word ‘algorithms’. I am allergic to the ‘a’ word. Just frelling typing it makes my fingertips hurt.^
^ Although that may also have something to do with recent close encounters of an unfortunate kind with hellmob-comestible-chopping implements.
† Ultrabook. It’s not ultra and it’s not a book. Grrrrrr.
†† Although anything I’ve actually done on Pooka’s Lilliputian keyboard will be illegible anyway^ so the backing up of gibberish is perhaps more of a matter of principle than practicality.
^ Note that being in a texting relationship with me is not all joy. Not only can’t I type what I mean to be typing, but I have a sometimes unique McKinley take on acceptable abbreviations.
††† Speaking of the hellterror, texting on Pooka lately is a lot like trying to do anything with a hellterror in my lap.^ HI. I’M HERE. I’M IN YOUR LAP. Yes. I had noticed. LET’S PLAY A GAME. No, let’s not. You’re supposed to lie there quietly. That’s the deal about laps. Lying quietly. SURE. I’LL LIE QUIETLY. LET’S PLAY A LYING QUIETLY GAME. YOU DON’T MIND IF I PUT MY FOREPAWS ON YOUR SHOULDERS AND LICK YOUR GLASSES, DO YOU? I’LL DO IT QUIETLY.
^ And anyone who thinks there is perhaps a hellterror bias going on? Well, yes. This month it will be a year since the hellhounds went on this drug that more or less holds back the chronic geysering but also stops them eating pretty much altogether. I don’t know if it destroys their appetite or makes them queasy but the truth is I don’t care. I’ve been forcefeeding them, oh, 85-100% of the time for a year and you could say our relationship has suffered. You could say that. Yes, you could say that with some energy.
Okay, I’ve got some stories for you, but no time to tell them. But as a placeholder you might find the email I just wrote to Worthy Charity #74,821,333 mildly entertaining:
Your web designer is a MORON. Please pass on my lack of respect. In the first place, why is a title required? Many people—myself included—prefer not to use one if we’re given the option. Then, if the standard short list of titles your site provides does not apply and one is so foolhardy as to tick ‘other’, one is presented with a drop-down list of epic proportions, offering ever wilder opportunities, Death Star Commander, Harvest Goddess, Sixth Degree of Kevin Bacon . . . and lo and behold tucked away in there is ‘Family’. My sponsorship is a gift to four members of a family, and so with a somewhat wary relief, I ticked ‘family’. BUT A FIRST NAME IS STILL REQUIRED. Um. Xxxx? Ja-Sa-Sa-An? What? This is to a family. There is no single ‘first name.’ And the four of them are going to have to look at whatever inanity I come up with for the duration of the sponsorship. Thanks ever so.
If you’re lucky, your other would-be sponsors are less volatile. I am fed up to here with web sites that have been designed by lobotomised beavers with hangovers. This time of year I do a lot of on line ordering and there are a lot of worthy charities out there, some of whose web sites function more or less straightforwardly. I could have sponsored another [furry critter worth keeping alive and well fed] for half the price of one of your [glorified superwhatsits]: but it wouldn’t [grow up to make the world a better place]. So here I am. Fuming.
R McKinley Dickinson
I’m going to be at the hospital a lot of tomorrow again and then I have somehow allowed myself to get ensorcelled into frelling handbells in the evening. ARRRRGH. I’ve warned Niall I will have No Brain after all that knitting* but he seems to think this is not as relevant as the Body in the Chair with Outstretched Hands Holding Handbells part of it. He may live to regret this. Meanwhile I’m missing deadlines right and left** but if I have the kind of limbo-brain later tomorrow night that is utterly incapable of work*** but could probably splodge out a blog post as an alternative to cruising end-of-year knitting sale sites . . . I’ll give splodging a try.
PS: Thanks for all the nice supportive words, all you readers, both on the forum and in my email inbox. The kindness of strangers–or semi-strangers–is more of a comfort than perhaps most of you guess.
* * *
* Just as an aside, thank God for knitting as a way of not driving the ill person you’re visiting crazy. Also the nurses would probably throw me out after I picked the second chair to pieces. Not that God is my favourite person recently with all the depressing mayhem in my life, but my monk ruthlessly pointed out that the bloke whose birthday we’re celebrating next week suffered^ so that none of us need ever suffer alone AND THERE’S A CYCLICAL NON-LOGIC TO THIS THAT I DON’T LIKE AT ALL but . . . yeah. I have no idea how it works but the thing is that it does work. It doesn’t work ENOUGH. But . . . Jesus and knitting. Okay. Whatever.
^ among other reasons to do with life everlasting where it’s never too cold to sit still and contemplate higher things and eating too much chocolate never makes you fat
** No, nothing to do with EBON, I’m afraid. EBON doesn’t even have a deadline to miss at the moment, sigh. No, things like interviews for Open Road who are trying valiantly to publicise all those shiny new ebooks, and house insurance. HOUSE INSURANCE?? I’M OVERDUE ON THE HOUSE INSURANCE? Fortunately an insurance company that has had you by the short hairs for a number of years tends to come after you pretty robustly. MONEY. WE WANT MONEY. WE WANT YOUR MONEY. WE WANT IT NOOOOOOOW. I put the cheque in the post today. That only leaves 1,000,000,000 deadlines of a moderately life-threatening nature to go.
*** This includes looking at columns of figures with slightly more understanding than if I were staring at the Voynich manuscript, and writing my signature on the bottom of cheques that the bank won’t return as forgeries^.
^ Tear splotches and bloodstains, of course, are majestically ignored. Banks have seen that all before.